Our events as advertised in the local press - Northants Evening Telegraph, Chronicle and Echo, and Nene Valley News - and the Higham Times, our town newsletter.
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TALENTED EX-TEACHER AND TEAM CREATE THEIR OWN LANDMARK
Higham Ferrers’s magnificent and unique mapestry has got a new home and the mastermind behind its design could not be happier.
The mapestry, which captures the town’s medieval market square and other ancient landmarks in fabric and thread, was created from applique and various embroidery techniques and took several years to make.
Often referred to as the town’s own Bayeux Tapestry (which depicts the Norman conquest of England in 1066), the 1,5m mapestry was designed by creative genius, retired former art teacher Fay Caddick, who worked on the special project with several friends, all known as the Material Girls.
Initially displayed in the town’s library, it was moved to the local Henry Chichele Primary School when the library closed.
Somewhere along the way, the special protective Perspex cover vanished and as the unprotected mapestry had been placed in a busy corridor, the Town Council received messages from people who were worried that it was being damaged by pupils rushing along with their bags.
The mapestry was collected from the school and Fay was called in, and with help from a former local French teacher, Therese Easter, they carried out repairs.
Carol Fitzgerald, a member of Higham Ferrers Tourism, told guests at the recent Northamptonshire Heritage Forum History Day hosted by the Tourism Committee, The Friends of St Mary’s and the Higham Ferrers Archaeology and Research Society (HiFARS), what happened next.
“The tourism committee successfully applied to Higham Town Council to pay for a new protective cover. We had also noticed that the local Hope Methodist Church had an empty wall and fortunately, the Church authorities backed the plan to hang the mapestry on the wall,” she recalled.
The tourism committee then invited Professor Peregrine Horden, the Fellow Librarian at All Souls College, Oxford – which was built by Higham Ferrer’s most famous son, Archbishop Henry Chichele - across to the town to unveil the mapestry on History Day.
With Fay and Susan Allen, one of the Material Girls, standing by, the Professor said that the mapestry was a “celebration of the wonderful history of Higham Ferrers.”
And Fay said later that she thought the mapestry looked wonderful in its new home. “It could not be in a better place,” she said.
Now, the work that captured local landmarks for posterity, has itself become a landmark.
October 2025
“NO USE OF MODERN TOOLS”
The mystery of the ancient flint axe donated to Higham Ferrers Tourism and thought to date back to between 3 450 – 2 000 BC, has been solved.
And questions about whether the axe is a fascinating find – dating from the Neolithic period – and real, or a fabulous fake, have now been laid to rest.
The mystery began when a visitor to Higham Ferrers’s monthly Saturday market gifted a range of treasures to Higham Ferrers Tourism that used to belong to a family who lived and farmed at Chichele College during the days when it was a farm and a farmhouse.
John (Jack) and Rose Thorpe and their children Maud and Ray, lived and farmed at the college with Ray amassing a collection of games and toys, Meccano sets, wooden jigsaw puzzles, letters bearing the original stamps and a variety of other artefacts.
There was one item in the collection that was particularly interesting to Higham Tourism and members of the Higham Ferrers Archaeological Research Society (HiFARS) who meet at Chichele College: and that was the ancient-looking flint axe which was uncovered by Jack Thorpe while ploughing in a local field.
"HiFARS members were jumping up and down with glee about the flint axe,” Carol Fitzgerald, a member of Higham Ferrers Tourism, Chair of the Chichele College Management Committee – a tourism sub-committee – and Secretary of The Friends of St Mary’s, told Northamptonshire Heritage Forum’s recent History Day held in Higham Ferrers’s Hope Methodist Church.
HiFARS member, Professor Sarah Scott, a professor of archaeology at the University of Leicester and Director the University’s Heritage Hub, told the packed History Day audience that she was keen to help research the axe’s origins.
“I wrapped it up in a sock and took it to Chester House (the Archaeology Resource Centre) on the same day that there were two visiting independent scholars who were looking at axes there,” she recalled.
“The question became, was it real or was it a fake as there had been a growing market in forgeries,” she said.
“I thought it would be fantastic to take the axe to the University of Leicester’s state-of-the-art laboratory with its incredible equipment,” she recounted.
Shortly afterwards, a busload of members of Higham Tourism, the Chichele College Management Committee and HiFARS, visited the University’s School of Archaeology and Ancient History where they were told that the “beautifully made” axe was created using good quality material and that it had been made by someone with skill and a knowledge of different materials.
And no modern tools had been used in its manufacture.
Comparative data from different flint stones would still have to be made, the university visitors were told.
While results at that stage were inconclusive – partly because the axe had been well handled – there was still a high chance it dated to the Neolithic Period (from 4000 to 2200 BC).
The still-curious Higham Ferrers party later visited Chester House where every single axe that had ever been found in Northamptonshire was spread out before them.
“And ours was the biggest and the best,” Carol Fitzgerald bragged.
Professor Scott said later that there was not much more research that the experts could do.
So, is it a real Neolithic flint axe?
“There is a very real chance it is: it is not beyond the realms of possibility,” she said.
On show
The flint axe, which is normally held at Chester House, is currently on show at the Northampton Museum & Art Gallery’s “History of Northamptonshire in 100 Objects” exhibition which runs until 22 February 2026.
(A replica was made for History Day).
An illustrated companion book, featuring all 100 objects, has also been produced.
Meanwhile, back in Higham Ferrers, Tourism Committee member Pam Webbley curated a special exhibition at Chichele College profiling the story of the Thorpe family and showcasing the many objects donated to the committee.
October 2025
Schoolgirl gardener Penny Moth has done it again, scooping the horticultural show’s trophy for the Best Junior Gardener for the second year in a row.
Penny, 9, who has her own 125 square metre allotment – a gift from Santa ─ entered an assortment of vegetables in 13 different classes.
She became something of a gardening star last year when, following her success at the horticultural show, she was filmed working in her allotment by the BBC. This year, as before, she grew everything herself for the show. Everyone was particularly impressed with her prize pumpkins, which she grew from seed.
“I got various awards for my beetroot, tomatoes, cucumber and leeks and entered more categories this time than last year. Yes, I am proud of myself,” she said when quizzed after the judging.
Another local schoolgirl, eight-year-old Freya Goold, was awarded the trophy for the Best Junior Baker with her buttery biscuits, while her mum, Elaine, claimed the title of Best Baker in Show with her attractive prize-winning celebration cake.
One popular new section – knitted and crocheted flowers or vegetables ─ also attracted attention and the trophy for the Best Crafter went to Ena Mackness.
Dominic Mitchell won two trophies ─ for the Best in Show and the Best Fruit ─ while first prize for the Best Vegetable went to James Gell and the Best Flowers trophy went to Brenda Lofthouse.
For the second year, Sue Foster won the cup for creating the Best Preserve and Ruth Bond again clinched the trophy for Best Floral Art.
September 2025
Higham Ferrers’s own Bayeux Tapestry is back in the hands of the retired art teacher who designed it. Known as the historic town’s “mapestry” as it features centuries-old houses in the medieval market square and other ancient landmarks, the fabric and thread artwork, created from applique and various embroidery techniques and millions of stitches, took several years to make.
The 1.5-metre long mapestry was the brainchild of former teacher Fay Caddick, who with seven friends – all known as the Material Girls ─ fashioned the unique wall hanging.
“It is our own Bayeux Tapestry as we made it exactly the same as that famous work: first we made separate pieces of the story and then each section was sewn onto a fabric background,” Fay explained.
It was initially displayed in the town’s local library, but when the library closed in 2019, a few years after the mapestry was unveiled, it was decided to move it to the local Henry Chichele Primary School. “But after five years of hanging in the school, we decided that the mapestry was in need of repair,” said Liz Barnatt, chairperson of the Higham Ferrers Tourism Committee, which is supporting the restoration and framing initiative, which is also backed by the Town Council and the Friends of St Mary’s, a secular organisation dedicated to preserving historic buildings and the town’s heritage for future generations.
Brenda Lofthouse and Carol Fitzgerald, chairperson and secretary of the Friends of St Mary’s, collected the mapestry from the school and soon afterwards, Fay started work once again on the mapestry. As all the other Material Girls have moved away from the area, former local French teacher, Therese Easter, volunteered to help.
Fay recalled that after she retired from the Rushden School for Girls (now the Rushden Academy) she used to stroll around the town looking at the historic buildings. That interest and knowledge came in useful when the Material Girls got down to working on the mapestry.
“As well as my local knowledge, we spent a lot of time studying the buildings; the type of stonework and the windows,” she recalled. With the design in her head, Fay had to come up with a way of explaining it to the rest of the Material Girls.
“Initially, we took photographs of the buildings and landmarks and these formed the outline of what we planned to do. Although we only met up in the library for two hours every week, everyone was so keen that the Material Girls all worked on the project at home. We had to find the right pieces of material, which were donated by ourselves and the public”.
Asked about some of the stand-out trees in the mapestry, Fay explained that they had been made from 1960s shaggy rugs. “The mapestry got bigger and bigger over time. People would come into the library where we were working and would suggest places and features to add to the mapestry. It took us nine months to sew the pieces of the story onto the background.”
The repairs are being carried out in the Town Council-backed new Community and Wellbeing Hub at the back of the “old” library building.
Fay and Therese have a September deadline to finish the work so that it can go on display at the Northamptonshire Heritage Forum History Day in Higham Ferrers on Saturday 18 October. It is hoped that the mapestry will find a permanent home in a prominent local building, where it can be viewed by all to see. “We plan to frame the mapestry in Perspex glass to protect it,” Liz Barnatt said.
Town Clerk Alicia Schofield said: “The mapestry is an important and beautiful community fabric artwork and we are pleased to be able to host Fay and Therese at the Community Library and Wellbeing Hub as they undertake their skilled repair work.”
The Bayeux Tapestry – which depicts the Norman conquest of England in 1066 – hangs in the Bayeux Museum in France. The fragile tapestry is also due to undergo preventive conservation and enhancement. The museum will close later this year and a new museum, featuring the renovated Bayeux Tapestry, will reopen in 2027.
March 2025
WHEN Higham Ferrers Tourism and its sub-committee Chichele College Management were offered a Stone Age flint axe that had been unearthed in a local field, they jumped at the offer. Always keen to tell stories about historic Higham Ferrers, they knew that the donation would prove an interesting talking point at various exhibitions.
The Town Council was approached by a former resident, Ivan Driver, at last September’s Farmers Market. He told how his boyhood had been spent in Higham Ferrers and that he had several artefacts – including the flint axe – and felt the collection should be returned to the town. Councillor Chris O’Rourke – a member of the Tourism Committee - told him that the committee would be interested in the offer and Carol Fitzgerald, chair of the Chichele College Management Committee, a Tourism sub-committee, agreed and began to consider ways that the artefacts could be shared with the town and kept safe for posterity.
“The flint axe was particularly fascinating. It was found by Jack Thorpe sometime between the world wars. Jack - the father of a close friend of Ivan Driver - lived and farmed at Chichele College in the days when the college was a farm and a farmhouse,” Carol explained. “He uncovered the axe while ploughing a field in the lower end of what is now Vine Hill Drive”.
Believing that the town’s latest treasure should be shared with as many people as possible, the Chichele College Management team contacted the Northamptonshire Council, suggesting that it be considered for A History of Northamptonshire in 100 Objects, an exhibition to be staged at Northampton Museum in September.
“Our application was successful and we are very proud that the axe will be part of the exhibition,” Carol said.
The Higham Ferrers Archaeological Research Society (HiFARS), who meet at Chichele College, were interested in the flint axe, and a member, Professor Sarah Scott, who works at the University of Leicester, suggested it be taken to the university for further research.
And not long afterwards, a busload of interested members of the Tourism Committee, the Chichele College Management Committee and HiFARS, headed off to the university, where the School of Archaeology and Ancient History has an Advanced Microanalysis Laboratory, boasting specialised state-of-the-art equipment.
The equipment- including light microscopes, providing magnifications up to 500 times of an object - enables its world-class, international team of scholars to study the production and use of ancient artefacts and carry out cutting-edge research.
Asked by Carol Fitzgerald if the flint axe was genuine or a fake, Dr Christina Tsoraki, a ground stone and gold expert, said that a lot of things had to be considered and far more investigation was necessary before that could be decided.
Comparative data from different flint stones would have to be gathered. And even if it was not real, it still had a very interesting history, she said.
The axe was made of good quality material and was made by someone who was skilled and had knowledge of different materials.
“It is beautifully made: there has been no use of modern tools in its making,” she said. Carol Fitzgerald added that research was at an interesting stage. “It is all quite exciting, and even if it is a fake, it remains fascinating and will still go into the History of Northamptonshire in 100 Objects exhibition. It will be held for safekeeping at the Archaeological Resource Centre at nearby Chester House, until then”.
As the guest curator of the Higham’s axe display, Carol now awaits the results of the further detailed research before writing the content information for the 100 Objects exhibition.
A copy of the axe will go on display for the first time at Chichele College in June, featuring at an exhibition about The Life of Chichele College being held during Great Big Green Week. It will also form a major part of the Northamptonshire Heritage Forum History Day on 18 October.
February 2025